Gillean Clark creates work using both creative and literal tactics, by demonstrating the omnipresent lingering of a ‘corporate world’. The conscientious objective of his work is to create and share impact and that all walks of life regardless of race, religion or politics experience beauty and turmoil at its best.
Formally trained in Fine Art as well and born to international artists; his work demonstrates how life extends beyond its own subjective limits and often tells a story about the effects of growing up all over the world and the lack of connection to any one culture or restraint of ideas. A self admitted series painter, the varieties of his work have been featured in The New York Times, on multiple walls of city streets around the globe, Vogue and a variety of design publications. Although diverse, the main pulse of his work remains ever changing. It challenges the binaries we continually reconstruct between Self and Other, between our own ‘cannibal’ and ‘civilized’ selves. His recent series, Stasis, is meant to ignite an internal discussion about the many cloaks we wear in order to protect ourselves and our ideals, be them forced or not.